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Descanso Gardens - La Canada Flintridge,California - By Robin Kanouse

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Descanso Gardens - La Canada Flintridge,California - By Robin Kanouse
san diego real estate
Image by Rockin Robin
Rancho del Descanso

A natural "bowl" in the San Rafael hills provides a secluded setting for Descanso Gardens. The first inhabitants of the area were the Los Angeles basin's Gabrielino Indians. They relied on the native oaks for the mainstay of their diet, pounding acorns into meal for mush and bread.

In 1769, the Spanish explorer Gaspar de Portola arrived in San Diego and traveled northward along the route now known as El Camino Real ("The King's Highway"). He claimed the area which includes Descanso Gardens for the King of Spain. Governor Fages in turn deeded the site as part of a vast rancho--over 36,000 acres--to Corporal José Maria Verdugo in 1784, probably as a reward for loyal service.


E. Manchester Boddy
Verdugo died in 1831, and his estate was divided between his son Julio and his daughter Catalina. The property remained in the Verdugo family until 1869.

Its sale marked the beginning of a long series of transactions that involved buying, selling, and subdividing thousands of acres of land.

However the 150 acres that form Descanso Gardens today, had never been developed when E. Manchester Boddy, publisher of the Los Angeles Daily News, purchased them in 1937.

Boddy cleared the land and built an elegant two-story mansion of 22 rooms, designed by architect J. E. Dolena of Beverly Hills. This mansion overlooks 25 acres of live oak forest and a camellia-lined driveway. Boddy named his estate "Rancho del Descanso," which means "ranch of rest" in Spanish. He also purchased an additional 440 acres north of the original property, whose mountain streams provide fresh spring water for the Gardens today.



101010 | Million-Dollar Sundown
san diego real estate
Image by Carbon Arc
Sunset near one of San Diego County's most pricy stretches of real estate, overlooking the Pacific.

Shot using an Isco Cinelux-Anamorphic MC 2X adaptor (designed for 35mm widescreen film projection) mounted in The Contraption, then vertically compressed by half in Photoshop to a 2:66:1 aspect ratio.

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